
Welcome to Who What Wear Weddings, the destination for style-minded weddings. Expect insightful tips straight from the newlyweds, shoppable elements, and plenty of must-save imagery as we share the nuptials of our favorite fashion people getting married. For upcoming features, share your submissions here.

Love has a way of making even the biggest cities feel impossibly small. When Karoline Spenning, chief creative director of Siegelman Stable, moved from Norway to New York City, she was stepping into the unknown. She had never been to the city before, knew almost no one, and was starting anew. Yet within weeks of arriving, a chance introduction through her coworker-turned-roommate brought Max Siegelman, chief executive director and founder of Siegelman Stable, into her life, and he turned out to be the man she would one day marry.
Their relationship began during the pandemic with long text exchanges that spanned state lines while Siegelman was temporarily living upstate with his family. When he finally returned to the city, he made an impromptu stop at Spenning’s apartment. “I rode my bike to the gym and thought I’d stop by Karoline’s,” Siegelman recalls. “I showed up sweaty because I had just worked out, but honestly, I would’ve shown up sweaty either way because I was nervous.” Spenning thought it was a bold move on Siegelman’s part but said, “Sure, come say hi.”
For Spenning, that spontaneous visit became an important moment. The two hadn’t even been on a first date yet, but for her, the ending was already beginning. “It was love at first sight,” she says. “I saw him, and I thought to myself, ‘Oh my God, this is my person.’ I couldn’t sleep. I couldn’t eat.”
The connection was mutual. Three days later, they had their first official date over coffee in Tompkins Square Park, followed by dinner the next evening in the East Village. From there, they were inseparable. Four months later, they moved into Siegelman’s Brooklyn apartment, where they began building not only a life together but also Siegelman Stable, an eponymous fashion label fusing luxury sports fashion with harness racing, which he had launched just months before he met Spenning. What began as a side project quickly became a shared creative pursuit, and the couple grew the business alongside their relationship.
When it came to getting engaged, there was never any question of if—only when. Certain they had found their forever partners, the two took their time before Siegelman enlisted the help of a mutual friend, a jeweler, to source a ring, which turned out to be a vintage cushion-cut diamond that perfectly aligned with Spenning’s appreciation for sustainability and heirloom pieces. While the couple never had a formal conversation about a proposal, Spenning had a good feeling that it was around the corner.
Siegelman told Spenning he had booked a house upstate for the two to visit over the weekend. “Max is very bad at hiding things,” she shares jokingly. “So I knew it was coming.” During a leisurely morning at their Airbnb, the couple lingered over coffee and homemade Norwegian waffles. That’s when Siegelman put his plan into motion. Unknown to Spenning, a photographer was waiting, hidden in the woods, while flowers were arranged around the property. The proposal itself, however, didn’t go quite as rehearsed. “I had this whole speech planned,” Siegelman says. “But when the moment came, I couldn’t get any words out. I just got down on one knee and ugly cried.”
In May 2026, the couple gathered their closest family members and friends in southeastern Sicily to celebrate the next chapter of their love story. They tied the knot on the sun-bleached grounds of Dimora delle Balze, an upscale and secluded 19th-century masseria-turned-boutique-hotel. Read on to explore how every element—from the custom fashion Spenning designed to the relaxed yet intimate and romantic aesthetic—beautifully reflected the life they have created and will continue to build together.
Max Siegelman: “Friday night was the welcome dinner. The dress code was ‘earth tones.'”
Karoline Spenning: “Our guests traveled so far, so we wanted Friday night to feel very relaxed and our outfits and every other detail to reflect that.”
KS: “I had made a dress that I really loved for Friday, but I felt like it wasn’t as loose and relaxed as I wanted. Then I found this dress by Kettel Atelier, a designer who sews vintage crochet tablecloths together. I immediately thought, ‘Please, I need to buy this and have it overnighted because my wedding is in a week.’ I ended up wearing it, and it was perfect. I paired the look with the perfect crochet Magda Butrym heels. I didn’t have any jewelry for Friday, and I had walked past a little market in the town of Noto, where we were staying. I spotted a pair of bone earrings and ended up wearing those for the night.”
MS: “Karoline designed a white linen double-breasted suit for me, which I wore with a white tank top and white Jacquemus loafers. I also wore this silver necklace that we gifted to all of the guests. It is a replica of this locket that my mom and my grandmother like to give to people as a guardian angel.”
KETTEL
Laurita Crochet Dress
Magda Butrym
Crochet Slingback Pumps
M.ph by Mary Phillips
Le Skin
WWW Weddings Tip: “Make the wedding feel like the two of you—not like everyone else’s expectations. There will always be outside opinions from family and friends about what you should do, but at the end of the day, it’s your wedding. We had plenty of moments where people suggested traditions or ideas that weren’t right for us, and we kept coming back to the same answer: This is our day, and we want it to reflect us.” — Siegelman
MS: “Horses are at the center of our lives and our brand. Sigelman Stable is built around my dad’s story as a racehorse trainer, but it’s also about everything he has done beyond racing. He created equine therapy programs for children with special needs, veterans living with PTSD, and other inner-city programs. Horses have always represented much more than racing for us. They’re part of who we are, what we do, and the stories we try to tell and push forward. Including them in our wedding felt like a natural extension of our relationship, our business, and our lives together. One of the horses we used for our wedding photos was named Shakira, and apparently, she’s already something of a celebrity. She’s modeled in campaigns for Dolce & Gabbana and other brands.”
KS: “All of my mood boards were actually centered around crocheted tablescapes. I wanted everything to feel like your grandma made it. We had horses, and they somehow matched that vibe and the dress I was wearing.”
Siegelman and Spenning pose with their parents.
KS: “The first speech was from my aunt, and it was amazing and so sweet. Then my childhood friends gave a speech, and I cried the entire time. I don’t even know how many minutes it lasted, but it was so beautiful. The last speech was from Max’s friend—really, both of our friends now. It was incredible.”
MS: “My friend gave a 10-minute speech comparing our relationship to the New York Knicks. It was called Generational Run, and it followed the timeline of Karoline and me alongside the Knicks. It was absolutely hysterical.”
MS: “We spent the entire day with our families and the friends who were staying on the property, which was awesome. We had the whole morning and afternoon together, hanging out by the pool, having lunch, and just enjoying everyone’s company. Then, at a certain point, we all went our separate ways to get ready.”
KS: “I didn’t want bridesmaids because that’s not really a big tradition in Norway. I also wasn’t entirely sure what I wanted, but I knew I wanted everyone to feel equal. The people there were all incredibly close to us, and we had our closest friends and family staying in the 12 guest rooms on the property. We set up the spa area for all of the girls to get ready, and they put together this beautiful lunch for us. We spent the day enjoying wine and just hanging out together. I hate waiting around, so I intentionally didn’t start getting ready until the very last minute. I did my own makeup, and I had my hair done at the venue.”
MS: “I got ready with my best friend, who actually officiated the wedding, along with my dad and my brother. My 4-year-old nephew slept through the whole thing.”
KS: “Our lives move at what feels like 100 miles an hour, so I wanted to write my vows while I was in a calm, good state of mind. I finished writing them a few hours before the wedding, and that whole moment was incredibly emotional and really special. We then both shared them in front of everyone [during the ceremony].”
KS: “About two months before the wedding, I still hadn’t decided on a dress. People always say you procrastinate on the things you care about most, and I think that was definitely true for me. I wanted it to be perfect. I knew I wanted to design it myself, so I sketched it and worked with my team at Siegelman Stable to bring it to life. I wanted it to feel light, effortless, and like me—a fluid, liquid-like 100% silk dress.
“We first made the pattern in muslin to perfect the fit, and I absolutely loved that version. But when we re-created it in silk, it lost the sculptural shape I’d fallen in love with. I couldn’t stop thinking about that first sample. With only two months left, we started over from scratch. We bought new fabric and remade it until it felt right. The final version arrived the weekend before we were leaving, and I immediately knew it still wasn’t right.
“I called a seamstress I’d worked with for years in Brooklyn, and she worked overnight. At our Saturday fitting, we realized the dropped waist had shifted to my natural waist, completely changing the silhouette. She remade the bodice on Sunday. I thought it was perfect, but she still wasn’t satisfied and wanted it sculpted closer to my body. On Monday morning, the day before we left for the wedding, I went in for one last fitting while it was still being made. She ended up handing off the finished gown to Max’s dad just 30 minutes before his flight so he could bring it to the wedding.”
KS: “For Max’s look, I’ve always loved an oversize suit, but we also wanted him to be able to look back at the photos years from now and still love what he was wearing. We tried to create a slightly boxier tuxedo while keeping it timeless. We started with the fit of a suit we had made previously and turned it into a tuxedo, refining the proportions so everything felt clean and classic. We used as many breathable, natural fabrics as possible because we knew it was going to be so hot.”
MS: “I wore vintage cuff links that originally belonged to Karoline’s uncle. His father had given them to him, and I first wore them to our engagement party. They happened to feature harness racing horses, which felt especially personal because harness racing is such a big part of both our family and our brand. I paired the look with a classic black bow tie and black leather dress shoes from Jacquemus.”
MS: “I also found a vintage harness racing pin online and used it to secure my boutonniere. It was another subtle way to incorporate something meaningful into the look.”
KS: “Since meeting Max, horses have become such a meaningful part of my life. I was never a horse girl growing up, but I’ve learned so much about them. Watching everything Max’s dad has built through equine therapy has been incredibly inspiring.”
KS: “I paired my dress with Jimmy Choo shoes.”
WWW Weddings Tip: “Don’t panic when things don’t go according to plan. Even though my dress wasn’t finished until the last minute, I kept reminding myself that whatever happened would be okay. If I’d ended up walking down the aisle in a dress I found in town the day before, it still would have been perfect because I was marrying the person I love. Everything worked out exactly the way it was supposed to.” —Spenning
KS: “I went back and forth about hiring someone to do my makeup because I really wanted to feel like myself, but [I] ended up doing it on my own. I used the M.Ph by Mary Phillips foundation because it looks just like your skin. I wore Rhode blush, a very random bronzer that had probably been sitting in my makeup bag for way too long, and a simple nude eye shadow. I really wanted everything to look like my everyday makeup. I’m really happy I did it myself because I felt like me.”

KS: “The final look [I designed for Max] was exactly what I had envisioned. It had slightly oversize shoulders with a boxy silhouette, but the trousers were straighter and more tailored rather than overly oversize. It felt modern while still being timeless.”
KS: “I wanted to incorporate the tradition of ‘something old, something new, something borrowed, something blue.’ Throughout our relationship, Max and I have always said, ‘In every lifetime,’ because from the moment I met him, I felt like I’d known him forever. I had that phrase embroidered inside my dress in light-blue thread as my ‘something blue.’ My dress was my ‘something new,’ and I borrowed my earrings from my friend’s jewelry brand, Reservd.”
Siegelman and Spenning pose with their families.
MS: “One thing that was really important to us was making sure the ceremony felt like us. We didn’t want to simply copy what people typically do for weddings. We chose a location on the property where no one had ever held a ceremony before, which made it feel even more personal.”
KS: “When we first visited the venue, we had dinner at the exact location where we held the ceremony. As soon as I sat there, I remember thinking that I really wanted to get married in that spot. At the same time, though, I also loved the idea of getting married in a church, so we spent time looking at churches nearby to see if that would work. Ultimately, it was much easier for everyone to have the ceremony at the venue itself. When the staff showed us the locations where ceremonies are usually held, I still wasn’t completely convinced because I couldn’t stop thinking about the church.
“About a month before the wedding, I returned to the venue for our tasting with one of my friends from Norway because Max had a scheduling conflict. While I was there, I met with the incredibly talented design team that our wedding planner had found. They handled both the floral design and all installations, including draping and décor. During that visit, I asked whether it would be possible to hold the ceremony in the same place where we’d had dinner on our very first night.”
Siegelman walks down the aisle wearing the custom suit designed by Spenning.
KS: “The flowers were designed to look organic—as if they had always been growing there. They blended beautifully with the old stone surroundings.”
KS: “One of my favorite details was that Max’s mom showed me the lace ring pillow she had used at her own wedding. It was this beautiful vintage lace cushion, and our nephew carried our rings on it during the ceremony. It matched the entire aesthetic perfectly and made the moment feel even more meaningful.”
KS: “Since we didn’t have bridesmaids or a traditional wedding party, we kept things very simple. We each have one brother, so they essentially served as our best men. I always knew my dad would walk me down the aisle.”
Spenning and her father walk down the aisle to “Godspeed” by Frank Ocean.
WWW Weddings Tip: “Say your vows out loud in front of your family and friends if that feels right for you. We debated it for a long time because I’m naturally very shy. In the end, we realized we could always say loving things to each other in private. What we’d probably never do again was stand in front of everyone we love and tell each other exactly how we felt. That ended up being one of the most meaningful parts of the entire day.” — Spenning
KS: “My inspiration centered around old Catholic churches with delicate lace draped over the pews. That was really the feeling I wanted to re-create. They essentially brought all of those church-inspired details outdoors. They transformed the patio into this incredibly romantic ceremony space. I had told them that I didn’t want a lot of flowers, so instead, they incorporated layers of lace and dried floral arrangements.”
KS: “After the ceremony, Max and I took a few moments to ourselves before joining everyone else. We went back to our room, where they had set up drinks and food for us. We just sat together for a little while, talked about everything that had happened, and let it all sink in. Then we wanted to get our photos done fairly quickly because we really just wanted to spend time with everyone. Our photographer, Olav, knows us so well, so the whole process felt very natural and easy. We spent about an hour taking photos before heading to cocktail hour.”
WWW Weddings Tip: “Take a moment to look around because it goes by so quickly.” — Siegelman
KS: “Cocktail hour took place in a little garden at the hotel. Drinks and food were served.”
KS: “Before the wedding, I had been trying to figure out what song we should use for our father-daughter dance. My dad and I aren’t really big dancers, so I wanted something that fit our vibe. I kept asking him for ideas, but he never sent me a song, so about a week before the wedding, I finally chose ‘Isn’t She Lovely.’ What I didn’t know was that at the end of my dad’s speech, he told everyone that after I was born, there were about 24 hours when my mom was still in the hospital, and it was just the two of us together. During that time, “Isn’t She Lovely” came on the radio, and ever since then, he said he had always thought of me whenever he heard it. He started singing the song during his speech. We had never talked about that memory or listened to the song together before. I had no idea it meant anything to him, and he had no idea I had chosen it for our father-daughter dance.”
KS: “We wanted the dinner to feel like you were on vacation in Italy with your closest friends and family. We wanted everyone to be sitting down and having good conversations, so we had small table cards with questions that would apply to the people at their tables. We also hired a live Italian band. They played classic songs with a Frank Sinatra vibe. Toward the end of dinner, a few people started dancing.”
MS: “During dinner, we had several speeches. Both of our brothers gave speeches, one of Karoline’s best friends spoke, and then both of our parents gave speeches as well.”
KS: “We danced to a song we had listened to on repeat when we first met each other. It’s called ‘Please Notice’ by Christian Leave.”
KS: “The entire tablescape was inspired by my childhood in Norway. I wanted it to feel like growing up in the woods, so we incorporated moss and lots of natural textures. The menu was also almost entirely vegan because that’s how I eat, but guests could choose to add a protein if they wanted. There was, of course, plenty of pasta. The cake was intentionally very simple. It was a vegan vanilla cake with cherries.”
MS: “We were also lucky enough to work with Don Julio 1942, and they allowed us to create custom miniature bottles that were placed at everyone’s seats. Karoline designed the labels herself. Apparently, they’d only done something like that a handful of times before, so it felt incredibly special.”
MS: “After dinner, we transitioned into an after-party. Having our friend, who was also a guest at the wedding, Tay James, DJ the evening made it feel even more personal and special.”
KS: “For the after-party, I changed into a Saint Laurent sheer lace dress. It got surprisingly cold that evening, though, so halfway through the night, I threw a blazer over it.”
Photographer: Olav Stubberud
Wedding Planner: Duet Events
DJ: Tay James
Florist and Decorator: Intrecci di Fiori e d’Arte
Venue: Dimora delle Balze
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