On Thursday, Disney and OpenAI announced a deal that might have seemed unthinkable not so long ago. Starting next year, OpenAI will be able to use Disney characters like Mickey Mouse, Ariel, and Yoda in its Sora video-generation model. Disney will take a $1 billion stake in OpenAI, and its employees will get access to the firm’s APIs and ChatGPT. None of this makes much sense—unless Disney was fighting a battle it couldn’t win.

Disney has always been a notoriously aggressive litigant around its intellectual property. Alongside fellow IP powerhouse Universal, it sued Midjourney in June over outputs that allegedly infringed on classic film and TV characters. The night before the OpenAI deal was announced, Disney reportedly sent a cease-and-desist letter to Google alleging copyright infractions on a “massive scale.”

On the surface, there appears to be some dissonance with Disney embracing OpenAI while poking its rivals. But it’s more than likely that Hollywood is embarking down a similar path as media publishers when it comes to AI, signing licensing agreements where it can and using litigation when it can’t. (WIRED is owned by Condé Nast, which inked a deal with OpenAI in August 2024.)

“I think that AI companies and copyright holders are beginning to understand and become reconciled to the fact that neither side is going to score an absolute victory,” says Matthew Sag, a professor of law and artificial intelligence at Emory University. While many of these cases are still working their way through the courts, so far it seems like model inputs—the training data that these models learn from—are covered by fair use. But this deal is about outputs—what the model returns based on your prompt—where IP owners like Disney have a much stronger case

Coming to an output agreement resolves a host of messy, potentially unsolvable issues. Even if a company tells an AI model not to produce, say, Elsa at a Wendy’s drive-through, the model might know enough about Elsa to do so anyway—or a user might be able to prompt their way into making Elsa without asking for the character by name. It’s a tension that legal scholars call the “Snoopy problem,” but in this case you might as well call it the Disney problem.

“Faced with this increasingly clear reality, it makes sense for consumer-facing AI companies and entertainment giants like Disney to think about licensing arrangements,” says Sag.