Spider Noir (Prime): I’ve had enough of the Marvel multiverse so I was worried about Spider-Noir. The writers, however, have written an excellent noir in the style of Raymond Chandler with Nicholas Cage channeling Humphrey Bogart. The Spiderman stuff is all there but it is appropriately embedded. There are some excellent lines. Most notably an inversion of the Spiderman motto that I won’t give here but you will know it when you hear it. Also many sharp one-liners:

• Reilly: I don’t like surprises.
• Cat: I’ll remember that when your birthday rolls around.

Nicholas Cage does some Nicholas Cagey spidery things which I enjoyed. Watch it in black and white.

Project Hail Mary (Prime): I waited until this was streaming and I’m glad I did because it was disappointing.
The core problem is Ryan Gosling. He plays Ryland Grace, the genius scientist-hero but genius is something we are told, never shown. Indeed, the character with the best ideas in the film is Carl, Grace’s bodyguard/minder (played by Lionel Boyce)—they should have sent him to save the planet. Gosling has no intensity, and every choice he makes is to lighten and humorize. It’s a small thing, but it annoyed me to watch a scientist toss his instruments disdainfully. Andy Weir is a master at showing smart people grinding through hard problems—in the novel, Grace spends months learning to communicate with an alien. In the movie, Gosling dances.

This isn’t just miscasting. The whole adaptation is built to soften the book. The film cuts the desperation of the world, undercuts the ruthlessness of Stratt and instead adds a karaoke number and a trip to Home Depot (ha, ha, duct tape can solve everything!) Every change is away from high stakes intensity and toward charm and humor, a Disneyfied version of Weir. I have nothing against Gosling but we have lots of charming movies and I would like some competence porn.

The main virtue of PHM, in the end, is that it shows what a miracle The Martian was. Matt Damon knows how to play smart and intense, and he brought both to what I called the most Ayn Rand film in decades. There’s an old story—probably apocryphal—that Chuck Yeager was once asked what he’d do if his engine flamed out and he had sixty seconds before hitting the ground. He replied, “I’d spend the first fifty-nine seconds working on the engine.” Chuck Yeager had the right stuff. Matt Damon in The Martian has the right stuff. Ryan Gosling does not have the right stuff.

The Sheep Detectives (Prime): A delightful surprise! A flock of sheep solve a murder-mystery in a quaint English town; featuring Hugh Jackman and voices from Julia-Louis Dreyfus, Bryan Cranston, Patrick Stewart and others. Babe meets Knives Out. A family film but, as the best family films are, with some deep themes.