Job titles of the future: Nature’s drug designer


Cernak imagines a world where “the patient was always meant to be a frog in the first place, from the beginning to the end.” Now an associate professor at the University of Michigan, he’s worked on all types of creatures, from a Gila monster with a parasite to bald eagles with avian flu. Here’s what it takes to treat nature’s patients.

Experience with protein-modeling software 

Developing any type of drug is extremely expensive, failure-prone, and slow-going. But AI can speed up the entire drug-­design workflow, says Cernak. Google DeepMind’s AlphaFold model allows him to visualize a mutant protein’s three-­dimensional structure on a screen—rather than growing it on a plate, the traditional methodology—and then quickly generate possible new drugs that would latch onto that structure. The next step is to run a series of reactions and see which potential drugs may be effective; with the help of robots in the lab, he can speed through as many as 1,500 per day. 

Curiosity about creatures of all sizes

Cernak isn’t selective with his patients. For example, he worked on a treatment for loggerhead sea turtles after he was shocked to learn that the iconic species suffered from contagious tumors. He feels especially drawn to creatures that have helped humans, like the Gila monster, whose hormones have informed popular weight-loss drugs like Ozempic. And it’s not just animals; he’s also developing a precision insecticide to treat hemlock trees under attack from invasive species. 

A pioneering spirit

Cernak refers to this new discipline as “conservation chemistry.” It’s a combination of words with a loaded history, from DDT decimating US bald eagle populations in the 1960s, to cow painkillers killing millions of Indian vultures in the ’90s. He recognizes the risks, but Cernak feels that excluding chemists from conservation is a missed opportunity. 

“I’m just sick of looking at the chemical tools that are used in the conservation space, and they’re not cutting-edge,” he says. “It’s like, how do you have this super high-tech engine over here for making human medicines, while we’re living through a mass extinction?” 

Anna Gibbs is a journalist who covers the intersection between science and society.



Source link

  • Related Posts

    Anthropic’s safety warnings may have just backfired — the government has pulled the plug on its most powerful AI

    The U.S. government on Friday ordered Anthropic to immediately shut off access to two of its most powerful AI models — Claude Fable 5 and Claude Mythos 5 — citing…

    How To See If Netflix Is Downgrading Your Picture Quality

    It might involve connecting a keyboard to your TV, which is as fun as it sounds. Miguel Lagoa/Shutterstock If you’re paying the ever-increasing price of a Netflix subscription,…

    Leave a Reply

    Your email address will not be published. Required fields are marked *

    You Missed

    Gia/IRL Launches Debut Bridal Collection With Emma Arletta

    Gia/IRL Launches Debut Bridal Collection With Emma Arletta

    Gio Reyna se suma a la fiesta y marca el cuarto de Estados Unidos para sentenciar el juego

    Gio Reyna se suma a la fiesta y marca el cuarto de Estados Unidos para sentenciar el juego

    Anthropic’s safety warnings may have just backfired — the government has pulled the plug on its most powerful AI

    Anthropic’s safety warnings may have just backfired — the government has pulled the plug on its most powerful AI

    Asia energy crisis at ‘worst’ case scenario, ADB warns

    ‘Democrats want to win’: Platner’s support reflects a changing party in the Trump era

    ‘Democrats want to win’: Platner’s support reflects a changing party in the Trump era

    Prime Drink Group Announces Private Placement and Agreed Resolution with Creditors